Dating fender silverface showman reverb

These are marked with EIA code “831” and are most prevalent during the 1966-68 time period.Some examples include a '66 Princeton Reverb and ’66 Pro Reverb with Better Coil output transformer, a ‘66 Deluxe Reverb and ‘67 Twin Reverb with Better Coil reverb transformer, and a 1968 Vibro Champ with Better Coil trannies.They were something to behold, all chatting away while soldering so quickly, it didn't hardly seem like they were looking at the amps.After that the foreman would add the tubes, turn 'em on and set the bias.” Export models – We’ve confirmed that Fender amps were distributed by Hagstrm in Sweden.Also note the vertical black lines on the control panel (found on earliest silverface amps) and the large ceramic power resistors coming off the power tube sockets which indicates the AB568 circuit. But really, these cabs were large because they were of a “special design” that “greatly improves tone and volume without distortion, and permits optimum performance of the speakers.” At least that’s the reason according to the ’69 catalog.

Working at FMI – I was able to interview a fellow (who wishes to remain anonymous) who worked at Fender in 1972-73 in the amp department.

Although his job was somewhat limited, his recollections provided some really fascinating insights to how the amps were built.

For instance, he confirmed our assumption that the amp chassis were put into stock after being stamped with serial numbers and that the chassis were pulled from the stock bins randomly (just as with Fender guitar neck plates).

Not only that, but to meet Swedish safety codes, Hagstrm removed the external voltage selector switch (fitted to all blackface and silverface export models) and hardwired it internally (see photos).

Notice that the original Fender back panel was removed and replaced with a Hagstrm panel.

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